One of the dancers who many of my followers seem to comment on or ask me about is Connie Love. We recently caught up with the dancing queen to find out about her style, inspiration and why she loves to dance. Ladies and gentlemen, Connie Love! NK: When did you develop a love for dancing and know that it was something that you wanted to do as a profession? CL: My love for dancing developed from my love of music, which came from my mom.
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Disco is a genre of dance music and a subculture that emerged in the s from the United States' urban nightlife scene. The disco sound is typified by "four-on-the-floor" beats, syncopated basslines, and string sections , horns, electric piano , synthesizers , and electric rhythm guitars.
Lead guitar features less frequently in disco than in rock. Disco can be seen as a reaction by the counterculture during this period to both the dominance of rock music and the stigmatization of dance music at the time.
There was also a thriving drug subculture in the disco scene, particularly for drugs that would enhance the experience of dancing to the loud music and the flashing lights, such as cocaine and Quaaludes , the latter being so common in disco subculture that they were nicknamed "disco biscuits".
Disco clubs were also associated with promiscuity as a reflection of the sexual revolution of this era in popular history. Disco was the last popular music movement driven by the baby boom generation.
It began to decline in the United States during , and by it had lost nearly all popularity there. Disco was a key influence in the development of electronic dance music and house music. Some clubs used it as their proper name. In it was also used to describe a Parisian nightclub in an English magazine. In the summer of a short sleeveless dress called "discotheque dress" was briefly very popular in the United States.
The earliest known use for the abbreviated form "disco" described this dress and has been found in The Salt Lake Tribune of 12 July , but Playboy magazine used it in September of the same year to describe Los Angeles nightclubs. Vince Aletti was one of the first to describe disco as a sound or a music genre.
The music typically layered soaring, often- reverberated vocals, often doubled by horns, over a background "pad" of electric pianos and "chicken-scratch" rhythm guitars played on an electric guitar. Synthesizers are also fairly common in disco, especially in the late s. The sound was enriched with solo lines and harmony parts played by a variety of orchestral instruments, such as harp , violin , viola , cello , trumpet , saxophone , trombone , clarinet , flugelhorn , French horn , tuba , English horn , oboe , flute sometimes especially the alto flute and occasionally bass flute , piccolo , timpani and synth strings , string section or a full string orchestra.
Other Latin rhythms such as the rhumba, the samba and the cha-cha-cha are also found in disco recordings, and Latin polyrhythms , such as a rhumba beat layered over a merengue, are commonplace. The quaver pattern is often supported by other instruments such as the rhythm guitar and may be implied rather than explicitly present.
Songs often use syncopation , which is the accenting of unexpected beats. Disco is further characterized by a 16th note division of the quarter notes as shown in the second drum pattern below, after a typical rock drum pattern. The orchestral sound usually known as "disco sound" relies heavily on string sections and horns playing linear phrases, in unison with the soaring, often reverberated vocals or playing instrumental fills, while electric pianos and chicken-scratch guitars create the background "pad" sound defining the harmony progression.
Typically, all of the doubling of parts and use of additional instruments creates a rich " wall of sound ". DJs would select songs and grooves according to what the dancers wanted, transitioning from one song to another with a DJ mixer and using a microphone to introduce songs and speak to the audiences. Other equipment was added to the basic DJ setup, providing unique sound manipulations, such as reverb , equalization, and echo effects unit.
Using this equipment, a DJ could do effects such as cutting out all but the throbbing bassline of a song, and then slowly mixing in the beginning of another song using the DJ mixer's crossfader. The DJs played " Notable U. DJs not only played songs in clubs; they also remixed, looped and live-mixed these songs from the DJ booth, changing the ways songs sounded. For example, a DJ might use the intro or bassline from a popular disco track and beatmatch and layer the vocals from a second song over top.
As well, some DJs were also record producers who created and produced disco songs in the recording studio. Larry Levan , for example, is as well known for his prolific record producer work as for his contributions as a DJ. Because record sales were often dependent on dance floor play by DJs in leading nightclubs, DJs were also influential for the development and popularization of certain types of disco music being produced for record labels. Unlike the simpler, four-piece-band sound of funk , soul of the late s, or the small jazz organ trios , disco music often included a large pop band, with several chordal instruments guitar, keyboards, synthesizer , several drum or percussion instruments drumkit, Latin percussion, electronic drums , a horn section , a string orchestra , and a variety of "classical" solo instruments for example, flute, piccolo, and so on.
Disco songs were arranged and composed by experienced arrangers and orchestrators , and record producers added their creative touches to the overall sound using multitrack recording techniques and effects units. Recording complex arrangements with such a large number of instruments and sections required a team that included a conductor , copyists , record producers , and mixing engineers. Mixing engineers had an important role in the disco production process, because disco songs used as many as 64 tracks of vocals and instruments.
Mixing engineers and record producers, under the direction of arrangers, compiled these tracks into a fluid composition of verses, bridges, and refrains, complete with builds and breaks. Mixing engineers and record producers helped to develop the "disco sound" by creating a distinctive-sounding, sophisticated disco mix. Early records were the "standard" three-minute version until Tom Moulton came up with a way to make songs longer.
Moulton wanted to make longer songs, so that he could take a crowd of dancers at a club to another level and keep them dancing longer. They cut the next single on a 12" disc, the same format as a standard album. Moulton and Rodriguez discovered that these larger records could have much longer songs and remixes.
Powerful, bass-heavy, hi-fi sound systems were viewed as a key part of the disco club experience. Typical lighting designs for disco dance floors could include multi-coloured lights that swirl around or flash to the beat, strobe light , an illuminated dance floor and a mirror ball.
In the early years, dancers in discos danced in a "hang loose" or "freestyle" approach. At first, many dancers improvised their own dance styles and dance steps.
Later in the disco era, popular dance styles were developed, including the "Bump", "Penguin", "Boogaloo", "Watergate" and "Robot". By October the Hustle reigned.
It was highly stylized, sophisticated and overtly sexual. During the disco era, many nightclubs would commonly host disco dance competitions or offer free dance lessons. Some cities had disco dance instructors or dance schools, which taught people how to do popular disco dances such as "touch dancing" , "the hustle" , and " the cha cha ". The pioneer of disco dance instruction was Karen Lustgarten in San Francisco in Her book The Complete Guide to Disco Dancing Warner Books was the first to name, break down and codify popular disco dances as dance forms and distinguish between disco freestyle, partner and line dances.
The dynamic dance duo of Robin and Reggie led the show. The pair spent the week teaching disco dancing to dancers in the disco clubs. The instructional show which aired on Saturday mornings had a following of dancers who would stay up all night on Fridays so they could be on the set the next morning, ready to return to the disco on Saturday night knowing with the latest personalized dance steps.
The producers of the show, John Reid and Greg Roselli, routinely made appearances at disco functions with Robin and Reggie to scout out new dancing talent and promote upcoming events such as "Disco Night at White Sox Park". Some notable professional dance troupes of the s included Pan's People and Hot Gossip. For many dancers, a key source of inspiration for s disco dancing was the film Saturday Night Fever Interest in disco dancing also helped spawn dance competition TV shows such as Dance Fever Disco fashions were very trendy in the late s.
Some women would wear sheer, flowing dresses, such as Halston dresses or loose, flared pants. Other women wore tight, revealing, sexy clothes, such as backless halter tops , "hot pants" or body-hugging spandex bodywear or "catsuits". Men often wore Pierre Cardin suits, three piece suits with a vest and double-knit polyester shirt jackets with matching trousers known as the leisure suit.
Men's leisure suits were typically form-fitted in some parts of the body, such as the waist and bottom, but the lower part of the pants were flared in a bell bottom style, to permit freedom of movement. During the disco era, men engaged in elaborate grooming rituals and spent time choosing fashion clothing, both activities that would have been considered "feminine" according to the gender stereotypes of the era.
Platform shoes and boots for both genders and high heels for women were popular footwear. In addition to the dance and fashion aspects of the disco club scene, there was also a thriving club drug subculture , particularly for drugs that would enhance the experience of dancing to the loud, bass-heavy music and the flashing colored lights, such as cocaine  nicknamed "blow" , amyl nitrite " poppers " ,  and the " Paul Gootenberg states that "[t]he relationship of cocaine to s disco culture cannot be stressed enough While the dance floor was the central arena of seduction , actual sex usually took place in the nether regions of the disco: bathroom stalls, exit stairwells , and so on.
In other cases the disco became a kind of 'main course' in a hedonist's menu for a night out. Later on uptempo rhythm and blues became popular in American clubs and northern soul and glam rock records in the UK.
In the early s nightclubs in Paris resorted to playing jazz records during the Nazi occupation. She installed a dance floor with coloured lights and two turntables so she could play records without having a gap in the music. In October the owner of the Scotch Club in Aachen, West Germany chose to install a record player for the opening night instead of hiring a live band. The patrons were unimpressed until a young reporter, who happened to be covering the opening of the club, impulsively took control of the record player and introduced the records that he chose to play.
Klaus Quirini later claimed to thus have been the world's first nightclub DJ. Discotheque dancing became a European trend that was enthusiastically picked up by the American press. The birth of disco is often claimed to be found in the private dance parties held by New York City DJ David Mancuso 's home that became known as The Loft , an invitation-only non-commercial underground club that inspired many others.
After some months the parties became weekly events and Mancuso continued to give regular parties into the s. In the s, the key counterculture of the s , the hippie movement, was fading away. The economic prosperity of the previous decade had declined, and unemployment, inflation and crime rates had soared.
Political issues like the backlash from the Civil Rights Movement culminating in the form of race riots, the Vietnam War, the assassinations of Dr. Martin Luther King and John F. Kennedy and the Watergate scandal left many feeling disillusioned and hopeless. Within New York city specifically, there was a surge in immigration which led to white flight - as many of these immigrants were Asian, Latino, and Black Afro-Caribbeans.
Disco music and disco dancing provided an escape from negative social and economic issues. In Beautiful Things in Popular Culture , Simon Frith highlights the sociability of disco and its roots in s counterculture. When Mancuso threw his first informal house parties, the gay community who comprised much of The Loft's attendee roster was often harassed in the gay bars and dance clubs , with many gay men carrying bail money with them to gay bars.
But at The Loft and many other early, private discotheques , they could dance together without fear of police action thanks to Mancuso's underground, yet legal, policies. There was a mix of sexual orientation, there was a mix of races, mix of economic groups.
A real mix, where the common denominator was music. Film critic Roger Ebert called the popular embrace of disco's exuberant dance moves an escape from "the general depression and drabness of the political and musical atmosphere of the late seventies.
Pauline Kael , writing about the disco-themed film Saturday Night Fever , said the film and disco itself touched on "something deeply romantic, the need to move, to dance, and the need to be who you'd like to be.
Nirvana is the dance; when the music stops, you return to being ordinary. Those genres, mainly African-American ones, would influence much of early disco music.
In the mids and early s Philadelphia soul and New York soul developed as sub-genres that also had lavish percussion , lush string orchestra arrangements and expensive record production processes.
At the end of the s musicians and audiences from the Black, Italian and Latino communities adopted several traits from the hippie and psychedelia subcultures.
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